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短调民歌是科尔沁地方音乐传统中的重要体裁之一。拙文中笔者以短调民歌的承载者“道沁”为例,对其进行风格分类,继而对道沁的表演语境和表演过程进行描述和阐释。同时认为,科尔沁短调民歌的演唱,是当地蒙古人民俗生活的一种存在方式。科尔沁蒙古人对本地区民歌的演唱、演奏以及传承中,建构了民俗生活的秩序、规则,也建构了音乐生活的表演模式。音乐表演是一种行为过程,它需要在时间中展开。在时间过程中,表演必将与过程的前后两个方向关联:即表演前和表演后。
Short-tune folk songs is one of the important genres in Horqin’s local musical tradition. In my essay, I classify the genre as the carrier of “short tune folk song” “Daoqin”, and then describe and explain the performing context and performance of Daoxin. At the same time, it is considered that the concert of Horqin short folk songs is a way of existence for the local Mongolian folk life. In the concert, performance and inheritance of the folk songs in the region, the Horqin Mongolians constructed the order and rules of folk life as well as constructed the performance mode of the music life. Musical performance is a behavioral process that needs to unfold over time. In the course of time, performance must be related to the process before and after the two directions: before the show and after the show.