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长期以来,“性意识”、“性表现”始终受着陈 旧美学观念和封建意识的双重束缚,成了“黄色”、 “淫秽”的代名词而被拒于银幕之外,三十几年来, 中国影坛始终处在一个封闭,愚昧的“无性”状态。 就是在文化领域发生深刻变革和人的审美心态发生突 破性变化的今天,“性意识”、“性表现”也只能以 微弱的、扭曲的形象在银幕上闪烁其辞这不能不说是 我国审美领域和电影史上的一大悲哀。
For a long time, “sexual consciousness” and “sexual expression” have always been confined by the old aesthetic concepts and feudal consciousness. They have become synonymous with “yellow” and “obscenity.” They have been denied the screen. For more than three decades, China The film is always in a closed, ignorant “asexual” state. That is, when profound changes have taken place in the field of culture and breakthroughs have taken place in people’s aesthetic mentality, “sexual awareness” and “sexual performance” can only be displayed on the screen with a faint and distorted image. This can not but be said to be our country A sad tragedy in the field of aesthetics and cinema.