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该文主要关注澳大利亚土著居民育伦古人的审美观念,并在该族群的仪式行为与文化观念这一更广阔的架构中进行讨论.育伦古绘画中存在着独特的审美观念,将画面的明亮视为最重要的审美特质.从晦暗到明亮这一结构特征不仅体现在绘画中,也体现在育伦古人的诗歌、仪式过程与日常生活的审美判断中.在育伦古文化中,明亮这一特质被认为是祖先精神力量的显现,具有重要的价值,这成为育伦古人审美观念的文化认知基础.作者以该个案为例证,力图说明,审美感知是文化认知体系的组成部分,审美观念不仅体现在艺术活动中,也以不同的方式隐含在仪式与日常生活中;审美虽与形式有关,但不同的文化对形式的阐释却总是各具特色,只有经过人类学家的翻译才能获得跨文化审美的理解.“,”The author wants to discuss the asthestics idea of Yolngu people,which belong to the Australian aboriginals,in a more extensive structure about the ethnic group\'s ritual behavor and cultural perception.It is very special that the painting\'s brilliant be viewed as the most important aesthetics value in Yolngu paint art.The structure feature that from dull to brilliant exists not only in painting but also in Yolngu\'s poem,ritual process and everyday life\'s aesthetics perception.In Yolngu culture,Brilliant be consided to the manifestation of the ancestor\'s spiritual power,it is very important for the Yolngu,and the idea become the cultural cognitive foundation of Yolngu aesthetics perception.Base on the case,the author try to illustrate that aesthetics perception is one part of cultural cognitive system which exists in the work of art,and at the same time, implicits in ritual and everyday life in differient way;although aesthetics relates to form,but the interpretation of the same form is respective different in different culture.We can access to the aesthetic values of other culture by the anthropologist\'s interpretation.