论文部分内容阅读
关于青春,可用来形容的词,着实不少。日本导演大岛渚在20世纪70年代就曾拍过一部电影,名字叫《青春残酷物语》。这个片名后来被经常引用,“残酷”也一度成了青春的代名词。其实并不完全是这样,郭敬明说,青春是一道明媚的忧伤。虽然有些许的忧伤,但青春的色彩也还可以是很明媚的。在《阳光灿烂的日子》里面,主人公马小军浑身上下充满了野性和燃烧的激情;在《蓝色大门》里面,一个高中女生的清新淡雅,一个高中男生的开朗乐观,都散发出温馨与纯真的气息;在《十七岁的单车》里面,在《盛夏光年》里面……这些影片里的男女主人公年龄大致与我们相仿,有的和我们一样还生活在校园当中,有的却已过早地踏上了谋生之路,生活可能有所不同,青春的色彩却相差无几,就让我们在以下四部电影那流光溢彩的影像里去触摸青春吧。
There are many words that can be used to describe youth. In the 1970s, the Japanese director Oshima had shot a movie called “The Story of Youth Cruelty.” The title was later quoted frequently, and “cruelty” was once synonymous with youth. This is not exactly the case. Guo Jingming said that youth is a bright sadness. Although there is some sadness, the color of youth can also be very bright. In “Sunny Day”, the hero Ma Xiaojun is full of wild and burning passion; in the “Blue Gate”, a high school girl’s fresh and elegant, a high school boy’s cheerful and optimistic, all exudes warmth and innocence. In the “Seventeen-year-old cycling”, in the “summer light year”... The heroes and heroines of these films are roughly the same age as us, and some live on campus like we do, but others are too early. Land has embarked on a path to make a living, life may be different, and the color of youth is almost the same, let us touch the youth in the colorful images of the following four films.