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动画剧本是动画片创作的基础,更是一部动画片的灵魂。中国动画缺的不是中期制作环节的人才,而是在动画前期制作方面,好的动画编剧比较匮乏。一个剧本的成功之处在于,让观众在动画片中看见自己曾经的影子,或回想起自己生活中经历过的一个点。正如宫崎骏说的那样,所谓的动画电影应该让人感到更加有趣,更加怦然心动才对。中国现当代动画编剧应该不断提升自己的文化底蕴,培养自己敏锐的感受力,把自己的生命律动、生命感受赋予虚幻的动画形象,使他们也有了思想、情感和生命,才能打动观众。我们期待着中国现当代动画涌现出更多优秀的动画编剧,期待着更多更好的中国现当代原创动画片的出现。
Animation script is the basis of animation, but also the soul of an animation. The lack of Chinese animation talent is not mid-production links, but in the animation pre-production, a good animation screenwriter more scarce. The success of a script is to make the audience see the shadow of their own animated cartoon, or recall a point in their own lives. As Hayao Miyazaki said, the so-called animated movie should make people feel more interesting, more spontaneous. Chinese modern and contemporary animated screenwriters should constantly improve their own cultural heritage, cultivate their own keen sensibilities, impose illusive animations on their own rhythm of life and their life experiences so that they can also impress the audience with their thoughts, emotions and lives. We look forward to the emergence of more outstanding animated screenwriters in China’s contemporary animation industry and look forward to more and better Chinese modern and contemporary animated cartoons.