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文章摘取中国古代声乐典籍《唱论》中的部分观点,从声乐美学的角度对这些观点予以理解和释义。一方面,《唱论》中某些声乐观点具有很强的历史时限性,但在当时音乐理论研究与声乐演唱实践中起到较大影响;另一方面,尤为可贵的是其中大部分理论对当今音乐理论尤其是声乐理论研究、实践领域的影响及指导意义是不可估量的。《唱论》中的声乐理论赋予声乐美学研究以史料支持,而从声乐美学视角审视《唱论》,又使《唱论》焕发一种带有社会学性质的理论新意。
This paper extracts some opinions from “Singing Theory” of ancient Chinese vocal music, and from the perspective of vocal aesthetics, these views are understood and explained. On the one hand, some views of vocal music in Singing have strong historical time limit, but at the time of music theory and vocal music practice play a greater impact; the other hand, most valuable is that most of them theory Today’s music theory, especially vocal theory research, the practical field of influence and guiding significance is immeasurable. The theory of vocal music in “Singing Theory” gives vocal aesthetics a historical support, and examines “Singing Theory” from the perspective of vocal aesthetics and makes “Singing Theory” a new theory with the character of sociology.