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近年来看了不少粤剧,也通过中央电视台戏曲频道看了一些其他剧种的好戏,相比之下,深感粤剧确实是落后了,症结在哪里?在于它的创新意识日渐淡薄,多年来只致力于满足市场需求,热衷于去挖“箱底货”,所产生的精品很少;而所谓“致力”和“热衷”,却被守旧、僵化的原则左右着:满足了一些偏爱生旦戏、大团圆结局的观众的要求,而忽略培养和引导年青一代的观众;大量“箱底货”及港版剧本未加认真整
In recent years, I have seen quite a lot of Cantonese opera and also saw some good shows of other operas through the CCTV drama channel. In contrast, it is indeed a matter of fact that Cantonese opera is lagging behind. What is the crux of the problem? Because of its diminishing sense of innovation, Only devoted to meeting the market demand, keen to dig “box bottom goods”, produced by the fine few; and the so-called “commitment” and “keen”, but was conservative, rigid principles around: to meet some preferences , The audience happy ending, and neglected to train and guide the younger generation of audience; a large number of “bottom goods” and Hong Kong version of the script without serious whole