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五年前,中国京剧的一代鼓师赓金群驾鹤西归,带走了他的精明,他的智慧,他的渊博,他的细密,他的深谋,他的意蕴。国家京剧院前身中国京剧院成立半个多世纪的艺术创新、艺术发展、艺术积累乃至艺术风格的形成,都与他的指挥、创造与引领密不可分。我上世纪六十年代初入中国京剧院从事文学创作,除受益于阿甲、范钧宏的言传身教外,时任一团鼓师的赓金群也是我最先结识并问道解惑的老师之一。五年前,惊悉赓师仙逝,因身在外地,不能亲祭,遂致挽:人在途中,心与灵驰。嘱告上苍,护师归宁,
Five years ago, a generation of drum opera masters in China’s Peking Opera drove away from his hometown of Westminster with his shrewdness, his wisdom, his profoundness, his meticulousness, his conscience and his implication. Peking Opera Theater, the predecessor of the Peking Opera Theater, was founded over half a century ago with the creation of art, the development of art, the accumulation of art, and even the formation of artistic style. Both of them are closely linked with his command, creation and leadership. In the early 1960s, I was engaged in literary creation in the Peking Opera Theater. Apart from benefiting from the teachings of Ah-Chia and Fan Jun-hong, I was one of the first teachers to know and ask questions when I was a drummer . Five years ago, I was shocked when I was a teacher and passed away because I was out of town. Excuse me God, nurses return to ning,