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此刻我的案头正放着一幅七届全国美展的获奖作品—《一个教师的工作台》(银奖),当然,是一件印刷品。这幅画风谨细的水彩静物,向观众展示出一张极为简陋陈旧的办公桌,一位乡村教师使用多年的工作台。诸多繁而不乱的细节物件,一看便知是经过精心挑选的,将作者的意旨“若隐若见,欲露不露”地传达出来,于是让人想见到一位长期耕耘在乡村教育园地,呕心沥血,“虽九死其犹未悔”的老园丁形象。
At the moment, my desk is carrying an award-winning work entitled “A Teacher’s Workbench” (Silver Prize) of the Seventh National Art Exhibition, of course, a print. This picture-sketched watercolor still life shows the audience a very shabby old desk, a rural teacher’s desk for many years. A lot of complicated and indiscriminate details of the object, a look that is carefully selected, the author’s meaning “implicit, delusional” to convey, so people want to see a long-term hard work in rural education Garden, make painstaking efforts, “Although he died nine still regret,” the image of the old gardener.