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春秋时期,各国君卿应对酬酢每每赋诗以见其志。赋诗断章是当时主要的用诗方法,也即是断取古人已有之诗来表达自己的意愿。赋诗者不仅具备深厚的《诗》学修养,又有具体摹拟《诗》的实践,从时人讽诵旧章的意义上说,赋诗承载着强烈的崇古意识。赋诗与仪式文化的密切关联性限定了赋诗者创作的空间和自由,但赋诗断章在“不学诗,无以言”的时代达到了对古诗摹拟的蒙昧状态,他们大胆学习和摹拟《诗》的精神激励着后世的拟古创作,对后世拟古创作具有重要的启示意义。
During the Spring and Autumn Period, Jun Qing of various countries responded to the courtesy often by composing poems. Poetry is a major chapter of the poetic method, that is, to sever the poem has been ancients to express their wishes. The writers not only possess profound “poetic” academic cultivation, but also concretely imitate the practice of “poem”. From the point of the time that people read the old chapter aloud, the poem carries a strong sense of admiration. The close relationship between poetry and ritual culture limits the space and freedom of the poet’s creation, but the poetry breaks the ignorance of imitating the ancient poetry in the era of “not learning poetry, without words”, and they boldly study And imitating the spirit of “poem” inspired later generations of the ancient creations, which have important enlightenment significance to the later creations of ancient creations.