当代诗歌的新活力——从《有关大雁塔》的选本谈起

• 作 者: 陈文杰
• 机 构: 湖南师范大学,
• 出 处: 北方文学
• 发表日期: 2017年27期
• 关键词: 解构 日常性 精神活力

自《有关大雁塔》问世以来,评论家便多将其看作是韩东的代表作之一。诚然,此诗借助于冷漠甚至嘲讽的日常用语,凸显了诗人向历史与英雄逃逸的诗歌创作观。但有趣的是,作为“他们”文学社的领军人物,在其同人刊物《他们十年》一书中,韩东并未将此首诗歌收入其中;更为巧合的是,被看作是“第三代诗群”大赏的《中国现代主义诗群大观1986—1988》一书,亦未收入此诗。因而本文试图从文本意义出发,浅要分析此种矛盾出现的深层次原因。

Since the advent of the “Big Wild Goose Pagoda,” critics have often regarded it as one of Han Dong’s masterpieces. Admittedly, this poem highlights the poet’s poetic creation concept of escapism to history and heroes with the help of indifference and even ridiculous everyday language. But what is interesting is that Han Dong, as the leader of the literary society of “them”, did not get this poem in his colleague’s publication, The Ten Years, and more coincidentally, he was seen as Is “Third Generation Poems ” Award “Chinese Modernist Poetry Grand Outlook 1986-1988 ” one book, did not income in this poem. Therefore, this article attempts to start from the text meaning, a brief analysis of the deep-seated reasons for such contradictions.