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朱以撒:刘颜涛在进行书法创作时,显示了用笔的沉着熟练,在熟练中又能做到不滑不腻,非惯性式地书写,而且是涩势于其中,其朴可风,使一字之迹多沉实厚重,写出金文的韵致。同时用笔展示出了变化,轻重对比,巧拙互见。敦厚者墨似高出一层,轻则飞动,起调节活跃之作用。轻重提按交错,各有侧重,不同美感。金文点画多弧形,刘颜涛则多以涩笔行,有荒率质朴气,避免了弧形多带来的软滑柔媚,加上墨色在运动中变化,通
Zhu Isaacs: In his calligraphy creation, Liu Yantao showed his skillful use of the pen’s calmness and skilling, not skating on the skilled, non-inertial writing, More solid word heavy thick, write the charm of gold. At the same time using a pen to show the changes, the severity comparison, clever and clumsy each other. Thicker ink like a higher level, ranging from flying, play an active role in the regulation. Light and heavy press staggered, each focusing on different aesthetic. Gold Point painting multi-arc, Liu Yan-tao is more to astringent lines, a shortage of simple rustic gas, to avoid the soft and slippery curved to bring more, with the ink in the movement changes, through