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近一个世纪以来,民间文化作为情感的载体,一直游离在被赋予民族主义色彩与封建迷信色彩的尴尬境地。南通木版画作为南通民间文化的一个分支,其发展深受诸多非文化因素制约,这是一个拓宽文化思考非常值得关注的社会因素,也是非物质文化遗产在保护和传承过程中无法回避的现实问题。本文主要从对传统文化的漠视、居住环境的更新、现代印刷工艺兴起、现代审美需求的变化及传统工艺缺乏继承人五个方面进行阐述。
For nearly a century, folk culture, as a carrier of emotion, has always been free from being embarrassed by being given the colors of nationalism and feudal superstition. As a branch of Nantong’s folk culture, Nantong woodblock prints are deeply constrained by many non-cultural factors. This is a social factor that is worthy of broadening cultural thinking. It is also an unavoidable realistic problem in the process of protection and inheritance of intangible cultural heritage . This article mainly elaborates from five aspects: disregard of traditional culture, renewal of living environment, the rise of modern printing technology, the change of modern aesthetic needs and the lack of succession of traditional craftsmanship.