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2008年“5·12”汶川特大地震发生一个月后,我开始构思抗震救灾题材的创作。凝重与悲壮,是我在构思创作时所确定的基调。《生命的乐章》是其中最能抓住我的创作思维、激发我的创作情感的一段,我也从它开始构思草图。为了再现那一历史时刻,我走访了在第一时间奔赴救灾现场的军人和志愿者。接下来的日子里,我连续数次冒险深入到重灾区——北川县的擂鼓、平武县的南坝、安县的桑枣等重灾乡镇,一面参与救助,一面收集创作素材。在灾区,一处处倒塌的废墟令我伤心流泪,一幕幕人民子弟兵救助老百姓的动人场面令我难忘。
One month after the “May 12” Wenchuan earthquake in 2008, I began to conceptualize the creation of earthquake-relief materials. Dignified and tragic, as I set out in the design of the tone. “The Movement of Life” is one of the sections that can best grasp my creative thinking and inspire my creative emotions. I also started to sketch sketches from it. In order to reproduce that historic moment, I visited the soldiers and volunteers who went to the disaster relief site as soon as possible. In the days that followed, I went deep into the hardest hit areas for several times in a row: the beating drums in Beichuan County, the Nanba in Pingwu County and the mulberry trees in An County. In the disaster areas, the collapsing ruins everywhere made me sad and shed tears of tears. The unforgettable scenes of the scenes of people’s rescue troops helping the common people make me unforgettable.