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粤曲的唱腔音乐十分丰富,按照不同的特点,人们一般将其分为“板腔”(包括“梆子”、“二黄”与“说唱”三类)与“曲牌”(包括“小曲”与“牌子”两类)这两大体系。一首粤曲,除特殊的品种(如全首均为“小曲”或只用〔南音〕、〔木鱼〕等)外,通常就是通过“板腔”与“曲牌”(有的还穿插上“念白”体系)的相互转接而组成的。这样,就必然有一个如何将这些“板腔”与“曲牌”有机地转接起来的问题,撰写粤曲的作者在动笔之前,就应心中有数,对全曲准备选择哪一类和多少个“板腔”与
Cantonese opera aria music is very rich, according to different characteristics, people generally divided into “board cavity” (including “clapper”, “two yellow” and “rap” three categories) and “song card” “Brand” two types) these two systems. A Cantonese opera, except for the special varieties (such as “Xiao Qu” or “Nan Mu” and “Muyu”), usually refers to “Cantonese opera” Read the white “system) and the composition of the transfer. In this way, there is bound to be an issue of how to transfer these ”boardrooms“ and ”Tunes“ organically. Before writing the author of the Cantonese opera, we should know what kind and how many ” Board cavity "and