论文部分内容阅读
《屈原》中塑造了两位个性鲜明的女性——南后郑袖和侍女婵娟。南后作为邪恶势力的代表,一心想要将屈原置于死地;而婵娟是真善美的化身,对屈原的尊敬和爱坚贞不移。但最终恶毒的南后达到了目的,而婵娟作为道义美的象征却不得已代屈原而死。作者通过正义的失势,不仅反映出屈原身处的恶劣环境,而且在真善美的毁灭中使历史剧《屈原》的悲剧意蕴得以全面升华。
“Qu Yuan” in the shaping of two distinct women - Nan Hou Zheng sleeves and maid Chan Juan. South as a representative of evil forces, bent on Qu Yuan to death; and Chan Chan is the incarnation of the true good, the respect and love of Qu Yuan unwavering. But in the end, the vicious south reaches its goal, and as a symbol of moral beauty, it has no alternative but to die Qu Yuan. Through the just loss, the author not only reflects the harsh environment in which Qu Yuan lives, but also completely sublimates the tragic connotation of the historical play Qu Yuan in the destruction of truth, goodness and beauty.