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“我们正处在一个大变革、大调整的文化阶段,现代艺术从精神表现到形式创造,都极大地改变了传统艺术的面貌。现代艺术作为一个整体,日趋多元化,不再存在任何一种占主导地位的信条与准则,也不再存在任何一种界限与禁忌。当代戏剧几乎每一个层面都有人实验过了,几乎每一种实验都有人提出质疑。艺术从来也没有象近百年这样经历着令人眼花缭乱的变化。反叛、创新、朝秦暮楚的争奇斗艳,象一匹脱缰的野马,左右奔突,四处冲撞,追赶得戏剧革新家们心慌意乱,喘不过气来。一种新的舞台语汇、新的剧场形态、新的表现方式,刚刚被发明出来,转眼就变得陈旧了。戏
"We are in a cultural stage of great change and great readjustment, and from the spiritual expression to the formal creation of modern art, have greatly changed the face of traditional art. As a whole, modern art is increasingly diversified and no longer exists There are no longer any boundaries or taboos for dominant dogmas and norms, and almost every aspect of contemporary theater has been experimented with and almost every type of experiment has been questioned, and art has never been as experienced as it has been in nearly a century With a dazzling change .Rebellion, innovation, Qin Wuchu contests, like a runaway Mustang, left and right, running around, chasing the dramatic innovators who panicked, breathless .A new stage language, new The theater form, the new way of expression, has just been invented, an instant becomes obsolete.