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关雅浓,中国当代著名的京剧作曲家、教育家。他所创作的现代京剧《蝶恋花》和传统戏《对花枪》中的经典唱腔,不仅在当时产生轰动效应,即使今天依然绽放着的魅力。当我们探索其中的奥妙时,笔者感悟到:除了深厚的人文知识积淀和精美的艺术构思之外,作曲家在京剧音乐创作中对于“三个美质”的追求,当是重要的因素之一。在关雅浓的京剧音乐创作历程中,对于各种知识的汲取、对于科学理论的学习、对于京剧音乐创作理论的
Guan Yaon, contemporary Chinese opera composer and educator. The classic aria he created in the modern Beijing opera “Die Lian Hua” and the traditional opera “Spear Spear” not only produced a sensational effect at that time, but the charm that is still blooming today. When we explore the mysteries, I realized that in addition to the accumulation of profound humanistic knowledge and the exquisite artistic conception, the pursuit of “three virtues” by composers in the musical creation of Beijing opera is an important factor one. In Guan Yaon’s Peking opera music creation process, for a variety of knowledge to learn, for the study of science theory, for Beijing opera theory of music creation