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几年来,我十分关切云亭兄藏印集的编辑工作,每次通电话,都要问起这本书的进展。而他总是胸有成竹,说:“不急,整理中。”我乐待其成。史料记载,“流派印”的鉴藏肇始于明代中叶,到了清初尤其兴盛。这一时期藏家辈出,谱籍繁多。特别突出的有明代的张灏,辑有《学山堂印谱》,计藏印2032方;清代的周亮工,辑有《赖古堂印谱》,藏印约1000多方;清代的汪启淑,辑有《飞鸿堂印谱》,藏印约3500多方。此“三堂”藏“流派印”巨功,以后100多年几乎无可相提并论
Over the past few years, I am very much concerned about the editorial work of Yunting brother Tibetan Collection, every time I call, I have to ask the progress of this book. And he always knows everything about it, saying: “No urgency, finishing.” Historical records, “Genre Indian ” Kam began in the Ming Dynasty, especially to the early flourishing. There were many collectors in this period. Particularly prominent in the Ming Dynasty Zhang Hao, there is a “Xue Shan Tong Yin Pu”, possession of possession of India and 2032 square; Qing Dynasty Zhou Liang workers, there are “Lai Gu Tang impressions”, about more than 1000 sides of Tibet; Wang Qishu Qing Dynasty There are “Fei Hong Tong imprint”, about 3,500 multi-party Tibetan. This “Three Halls ” possession “genre printing ” Giant Power, almost 100 years after almost nothing to compare