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這是一面唐代鏡子的捲枝花圖案。原物徑大約中尺六寸。是屬於唐鏡中比較素樸的類型。浮雕組織健康、活潑而完整。唐代裝飾藝術處處見出對於自然的热愛和高度理解。藝術中的現實性和節奏感,從這種鏡紋的處理上我們也可以看得出來。中國人民普遍地使用鏡子大約在春秋戰國之際。楚國的‘楚式鏡’尤能代表當時鏡工藝的高度成就。這時的鏡子是青銅製造的。中國人民一直使用銅鏡,到清代中葉才被外來的玻璃鏡子所代替。
This is a scroll of the Tang Dynasty mirror flowers pattern. The original diameter of about 6 feet. It belongs to the relatively simple type of mirror in the mirror. Relief tissue health, lively and complete. Tang Dynasty decorative arts everywhere to see the love of nature and a high degree of understanding. The reality and sense of rhythm in art can also be seen from the treatment of such a mirror. Chinese people generally use the mirror about the Spring and Autumn Period. Chu Chu’s “Chu-style mirror,” You can represent the great achievements of the mirror technology. At this time the mirror is made of bronze. The Chinese people have always used bronze mirrors and were replaced by exotic glass mirrors by the middle of the Qing Dynasty.