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国内外零星出现的一些关于鲁迅的文学语言研究的成果,或仍在传统美学的范式中辗转,或套用西方语言论美学而失却了汉语的固有特征。目前,这方面尚未有较为系统的、开拓性的成果问世。本文拟在西方语言论美学的框架中,同时尊重汉语象形会意的特征,在考察鲁迅创作与汉字文化的关系方面,作一点初步的尝试。
A few sporadic domestic and foreign studies on the literary language of Lu Xun, or still in the traditional aesthetic paradigm removed, or apply Western aesthetics and the loss of the inherent characteristics of Chinese. At present, there are no more systematic and pioneering achievements in this respect. In the framework of western language aesthetics, this thesis attempts to respect the characteristics of the Chinese pictographic conception and make some preliminary attempts to examine the relationship between the writing of Lu Xun and the Chinese culture.