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记不清屋子里有多少人,烟雾缭绕,夹杂着难闻的酒气。甲出语惊人:如今的中国,最俗的画当数水墨写意和文人画。这些在历史上曾经代表雅文化的士大夫游戏,如今却是俗的代名词。当举国上下,人人都在写意,当速成的大笔程式假托中国精神成为一种全民样式的时候,俗文化的价值判断已经显现出了它最基本的特征。文人画崛起的革命意义也就荡然无存。
Can not remember how many people in the room, smoke-filled, mixed with unpleasant alcohol. A surprisingly amazing: Today’s China, the most popular painting when the number of ink freehand brushwork and literati painting. These scholarly and gentry games, once representative of the Accor culture in history, are now synonymous with vulgarity. When the whole nation is free and carefree, when the fast-moving large-scale programs pretend that the Chinese spirit has become a national style, the value judgments of the popular culture have shown its most basic features. The revolutionary significance of the rise of literati also vanishes.