论文部分内容阅读
戏剧创作如何反映党内两条路线的斗争,这是重大的课题,需要通过创作实践积累经验,也需要从理论上进行研究、讨论。本刊一九七七年第九期发表话剧《曙光》以来,收到了大量来稿来信。读者们肯定了这个剧本所取得的成绩,同时也对如何表现路线斗争的复杂性、深刻性,如何塑造执行毛主席革命路线的老一辈无产阶级革命家的艺术形象等问题,发表了不同的意见。现将来稿摘登如下,以便深入一步进行讨论。
How the dramatic creation reflects the struggle between the two lines in the party is a major issue that needs to be accumulated through the practice of creation and needs to be theoretically studied and discussed. Since the publication of the drama Dawn in the ninth issue of 1977, we have received a large number of contributions. The readers affirmed the achievements made in this script and also expressed their opinions on how to demonstrate the complexity and profoundness of the line struggle and how to shape the artistic image of the older proletarian revolutionaries implementing Chairman Mao’s revolutionary line. . The following is a summary of the following manuscript for further discussion.