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从20世纪80年代至今,工笔重彩画的复兴与繁荣是当代中国画坛极为引人注目的现象。作为中国画的原生状态,工笔画在中国美术史上曾经有过长期的辉煌,也经历了文人画大兴之后的衰落。我刊特请张小鹭先生主笔,开设重彩画研究专栏,介绍其对国内外工笔重彩研究的成果。此外,如何看待工笔重彩的复兴,当代工笔重彩应如何发展,我刊将在“艺术批评”栏目中开展讨论,欢迎广大读者积极参与。
Since the 1980s to the present day, the rejuvenation and prosperity of the gigantic painterly paintings are extremely striking phenomena in contemporary Chinese painting circles. As a native state of Chinese painting, the fine brushwork once had a long-term glory in the history of Chinese art and also experienced the decline after the literati’s painting became flourishing. I especially invited Mr. Zhang Xia Lu, who wrote the column of heavy color painting to introduce his research on the meticulous work at home and abroad. In addition, how to think about the rejuvenation of the meticulous work and how to develop contemporary silliness? My journal will hold discussions in the column of “Art Criticism.” We welcome the active participation of readers.