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牛是李可染先生一生喜爱描绘的对象,李可染先生写牧牛童子,配置背景者,或榕荫暮鸦,或桃红翠柳,视以山水者较少。间或所见,多牧童骑牛作前景,后为远山奔瀑,仅现一角,画面留白空间尚多。此幅《牧童牛背画中行》中牧童骑牛作前景,扬鞭策牛踱步缓行,背景青山重重叠叠,高接天际,溢出画面上端。李可染先生好写之山水放牧题材,精彩尽收眼底。
Cattle are the objects of Mr. Li Keran’s lifelong love portrayal. Mr. Li Keran writes the cowboy boy, with the background of the setting, or the crow, or the pink Tsui Liu, depending on the landscape. Between the time or see, riding a bull for more prospects for herd child, after the mountain waterfall, only the corner, the screen space is still blank. This “Shepherd Bovine Painter Boracay” in the herd of bull riding for the forefront, boosting cattle paced slowly, the background of numerous overlapping mountains, high access to the sky, overflow the top of the screen. Mr. Li Keran good writing landscape grazing theme, wonderful panoramic view.