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油画艺术从西方传入中国,自始至今一直处在东西方两种文化的矛盾之中,不同的文化中又共同存在有现代与传统的对立和交融,形成了中外古今错综复杂的状态,中国现当代油画工作者从不同的角度、以不同程度对民俗民间艺术借鉴与利用,其目的不单是传承民间艺术,而更在乎更加个性化的艺术样式凸现个人情怀及民族精神。并且,逐步对其内在的精神进行探索,与原始的民俗文化审美意蕴对接,复现人们对生命永恒这一主题的追求与探索。
Since the introduction of oil painting into China from the West, the art of painting has been in the contradiction between the two cultures of East and West so far. Different cultures also coexist with the confrontation and integration of modernity and tradition, forming a complex state of both ancient and modern China. Contemporary oil painting workers, from different perspectives, draw lessons from and use folk folk art to varying degrees. Its purpose is not only to pass on folk art, but also to care about the more individualized art style that highlights the personal feelings and national spirit. And gradually explore its inner spirit, docking with the aesthetic meaning of the original folk culture, recreating people’s pursuit of the theme of eternal life and exploration.