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图形的历史可追溯到人类的远古时代。在西方有旧石器时代西班牙阿尔塔米拉洞窟中的壁画《受伤的野牛》和法国拉斯科洞的鹿、马和牛的绘画;在中国则有彩陶器上所描绘的鱼、鹿、蛙的图案。原始人之所以把这些动物当作主要的描绘对象,其目的在于猎获它,表现出一种“功利主义”的思想。此外,还具有一种巫术的意义,画面上那些带箭的野兽清楚地反映了这一意义。原始人类的图形创造蕴含着丰富的内涵,其“交流思想、传播信息”的功能历经数千年岁月仍流传于今。
The history of the figure dates back to the ancient days of mankind. Paintings of the wounded “bison” in the Palaeolithic Altamira caves in Spain and the deer, horses and ox in Lascaux, France; in China are painted fish, deer, frogs pattern. The reason why the primitives regarded these animals as their main target of depiction is to hunt it and show a kind of “utilitarianism.” In addition, there is a sense of witchcraft that clearly shows the significance of those beasts with arrows. The original human figure creation contains rich connotation. Its function of exchanging ideas and disseminating information is still circulating for thousands of years.