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一、反讽的情境基调20世纪英美新批评的主要代表人物之一克林斯·布鲁克斯在《反讽——一种结构原则》一文中把反讽定义为“语境对于一个陈述语的明显扭曲”[1]。正是在扭曲的过程中使词义发生了逆向改变,营造出一种强烈的反讽情境,从而达到正面褒贬所无法实现的艺术审美效果。反讽最基本的特征则是“包含了对立的两项,并通过这种悖逆的冲突的两项昭示出一种人生态度和哲学思考”[2]。反讽情境包含着创作者的世
First, the irony of the keynote tone Twentieth Century the new representative of Anglo-American criticism of the main one Collins Brooks in the “irony - a structural principle” in the definition of irony as “Context for a statement of obvious distortion ”[1]. It is in the process of distorting that the meaning of words has been adversely changed, creating a strong anti-satirical context so as to achieve the artistic aesthetic effect that can not be achieved by the positive appraisals. The most basic feature of irony is that “it contains two contradictory elements and shows one attitude in life and philosophical thinking through two aspects of this dispassionate conflict.” Irony contains the creator’s world