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一、文化重构与小人物的零度观照周星驰无厘头电影有着鲜明的“文化重构”情结,他不仅关注文化危机、信仰危机,而且通过解构与颠覆重构给我们带来一种关于生存与生活的反思。周星驰无厘头电影的高峰时期正是香港在西方文化、东方文化、中国传统文化、流行文化、商业文化、民间文化交流重组的关键时期。这一交流与重构在周星驰无厘头电影中都有呈现,迎合了香港大众的文化心态和价值追求,是在文化多元并存、古今混溶和现实存在境遇尴尬的挤压下孕育出来的“拼贴文化”。在
First, the cultural reconstruction and the zero-degree view of the small person Stephen Chow does not make sense of the film has a distinctive “cultural reconstruction ” complex, he not only concerned about the cultural crisis, the crisis of faith, but also through deconstruction and subversive reconstruction to bring us a survival and Reflections of life. Stephen Chow does not make sense during the peak period of the film is Hongkong in Western culture, Oriental culture, Chinese traditional culture, popular culture, business culture, folk culture, exchange and reorganization of the critical period. This exchange and reconstruction in Stephen Chow does not make sense in the film are presented to cater to the Hong Kong people’s cultural mentality and value of the pursuit of cultural coexistence, ancient and modern mixed solution and the reality of embarrassment under the extrusion of the “ Posted culture ”. in