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接受美学作为一种读者中心论范式的文学理论,认为文学作品一方面要照顾到读者群体的阅读需求,引导读者阅读和鉴赏;另一方面还要超越读者,拓展读者的期待视野。阿富汗裔美国作家卡勒德.胡塞尼的小说《追风筝的人》运用独特的叙事模式表达独特新颖的当代意蕴,恰恰迎合了读者的这样一种审美心理,它不仅充分调动了读者的接受欲望,而且小说在达到读者的既定期待之时又超越了读者的期待视野,显示了作家高超的艺术创造力。
Accepting aesthetics as a reader-centered theory of literary theory, that literary works on the one hand to take into account the reading needs of readers, to guide readers to read and appreciate; the other hand, beyond the reader, to expand the reader’s horizon of expectations. Afghan novelist Calhoun Husseini’s novel The Kite Runner, which uses a unique narrative model to express unique and contemporary contemporary connotations, caters precisely to readers’ aesthetic psychology. It not only fully mobilizes the reader’s acceptance Desire, but also beyond the reader’s horizon of expectations when the novel reaches the reader’s stated expectations, showing the writer’s superb artistic creativity.