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本文透过对乌热尔图小说中人物形象的分析 ,从文学接受的角度和文艺美学的角度 ,多层面地审视了乌热尔图小说创作的倾向。文章在立意上试图打破文学理论批评僵化的大一统的简单模式 ,着力通过对乌热尔图小说创作倾向性的思考 ,说明当代文学中小说创作的自信力必须来源于文学作品本身的创造力和作品本身的本土化 ,民族化这一深刻命题。
Through the analysis of figure figures in Urgertu’s novels, this thesis looks at the tendency of Urgertu’s novels multi-faceted from the angle of literary acceptance and literary aesthetics. In the conception, the article tries to break the simple model of the rigid unification of the literary theory and tries hard to reflect the tendency of Urgeltu’s novels creation. It shows that the self-confidence of the novels in the contemporary literature must come from the creative force of the literary works itself. The localization of the work itself, nationalization of this profound proposition.