度桥写人:简析粤剧《户部黎公》的舞台语言

• 作 者: 吴海肖
• 机 构: 安徽省艺术研究院,
• 出 处: 南国红豆
• 发表日期: 2017年05期
• 关键词: 粤剧 舞台语言 户部 度桥 戏曲舞台 戏剧冲突 春娘 块状 刻画人物 郁南

如果从戏曲舞台演出与观众沟通与交流的角度来看,舞台语言有着沟通剧目与观众的“媒介”作用。笔者认为,戏曲的舞台语言是以故事、道具、舞美、人物关系、观演习惯等等各种“块状”结构方式传递的。如下,笔者以梁郁南编、导的反腐新编粤剧《户部黎公》中的舞台语言略作分析,希望对观众有些许作用。首先,通过处于戏剧冲突中的事件,以“故事”做“桥”来刻画人物形象。粤剧《户部黎公》讲的是清

If the stage performance and audience communication and communication from the point of view, the stage language has a communication drama and audience “media ” role. The author believes that the stage language of the drama is based on the story, props, Wu Mei, the relationship between characters, performance habits and so on a variety of “block” structure of the way passed. As follows, the author with Liang Yunan, guide the anti-corruption new Cantonese opera “family Li Gong” in a slightly analysis of the stage language, hoping to have some effect on the audience. First of all, through the events in the drama of conflict, “story ” “bridge ” to describe the character image. Cantonese opera “Family Li Gong” is about clear