论文部分内容阅读
编者按:2012,伴随着四年一度的奥运周期,公众对体育题材纪录片的兴趣也持续高涨。事实上,从顾筠的《筑梦2008》到广州亚运会官方纪录电影《缘聚羊城》,从《体育人间》到《赛季》,从北京奥运会的《我们的奥林匹克》到伦敦奥运会的《体育的力量》,从2001年北京申奥成功以来,中国体育类题材的纪录片就不断增多,并日益呈现出专业化的发展态势。经过数十年的不断实践与积累,中国体育纪录片在美学风格上更为多元化,在传播上更加有意识地与大型体育赛会相结合,在文化上更注重与国际接轨,在制作上形成了较为稳定的工作团队,对体育的解读也随之更具有社会价值和文化内涵。总体来看,目前中国体育纪录片的创作形成了四种不同的创作力量。即:以顾筠为总导演
Editor’s Note: 2012, with the quadrennial Olympic cycle, public interest in sports documentaries continues to soar. In fact, from Gu Yun’s Dreaming 2008 to the Guangzhou Asian Games Official Documentary Movie “Yucong Yangcheng”, from “Sports World” to “Season”, from “Our Olympics” in the Beijing Olympic Games to “Sports in the Olympic Games in London” Since the successful bid for the Olympic Games in Beijing in 2001, there has been an increase in the number of documentaries on sports topics in China, and an increasingly professional development trend has emerged. After decades of constant practice and accumulation, Chinese sports documentaries have become more diversified in aesthetics, more consciously combined with large-scale sporting events, and more culturally focused on international standards, resulting in a more developed production Stable team, the interpretation of sports also will be more social value and cultural connotation. Overall, there are currently four different creative forces in the creation of China’s sports documentary. Namely: Gu Yun as the general director