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苏珊·桑塔格(Susan Sontag)在其著名的《摄影论》(On Photography)中谈到“照相机与汽车一样被作为掠夺的武器贩卖”,是由于它与枪和汽车一样,“也会是一架中了毒的妄想机器”,她断言“照相机=不杀人的枪”。相机从三维空间的瞬时态中获取了二维平面的图片,变成拍摄者自己的“知识产权”,意味着摄影的权力具有伦理学特征,作为文化权力的表达媒介,它像权力一样是中性的、零度的、受主体驱动而向正负两极分衍,最终显现于谁来拍、拍什么、怎么拍这样一种价值的美学选择。 在一个微观泛化又无穷复合的视像技术
In his famous On Photography book, Susan Sontag said that “cameras are trafficked like cars into predatory weapons” because it is the same as a gun or a car, “ Is a poisoned delusional machine, ”she asserted,“ camera = gun that does not kill. ” The camera takes a two-dimensional image of the plane from the instantaneous state of the three-dimensional space and becomes the photographer’s own “intellectual property”, meaning that the power of photography has an ethical character. As a medium of expression of cultural power, the camera is medium in power Sexual, zero-degree, driven by the subject to the positive and negative polarization, the final show in whom to shoot, what to shoot, how to make such a value of aesthetic choice. In a microscopic generalization and infinite composite video technology