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前年隆冬的一天,在乌蒙山深处的小县城威宁,一台无伴奏合唱音乐会正在举行。容纳千人的剧场里落座的人刚刚过半,来自贵阳群艺馆合唱团的歌者们不免忐忑,我也眉头紧锁:音乐会能开下去吗?指挥家杨秋鸣走到台中央,镇定、自信地挥起他那双富有音乐表现力的手,两首歌唱罢,外面不断有人涌人,空座渐渐少了。前排的人不时回头,不悦地看看弄响椅子的后来者,我那绷紧的心也慢慢舒缓下来。当根据威宁彝族民歌《庐虹高原》改编的无伴奏
One day ago the year before last winter, a cappella concert was held in Weining, a small town in the depths of Wumeng Mountain. The audience of thousands of people seated in the theater just over half of the singers from the Guiyang Museum of Art Chorus inevitably staggering, I also frowned: concert can go on? Commander Yang Qiuming walked to Central Taiwan, calm, confident He waved his pair of hands full of musical expression, singing two stops, there are people pouring in outside, empty seat gradually less. The front row of people turn around from time to time, disgruntled to see the latecomers of the chair, my tightened heart slowly soothed. When based on Weining Yi folk song “Lu Hong Plateau” no adaptation of adaptation