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意象观是中华古典美学的核心范畴,意象造型是指客观物象和主观情思相互交融所产生的艺术形象,是中国写意绘画的精神内核。强调意象造型是从国家战略资源的高度继承优秀文化传统,与时俱进、推陈出新,使之成为实现中华民族伟大复兴的根本力量。中国现代陶瓷创作作为中国特有的艺术形式,同样具有崇尚“意象”的审美观点。中国绘画的“意象造型”与现代陶瓷艺术创作在对意境的
The concept of imagery is the core category of Chinese classical aesthetics. Imagery refers to the artistic image produced by the blend of objective and subjective feelings and the spiritual core of Chinese freehand painting. Emphasizing the imagery of the imagery inherits the fine cultural tradition from the height of the national strategic resources, advancing with the times and making innovations so that it becomes the fundamental force for realizing the great rejuvenation of the Chinese nation. As an art form unique to China, the creation of modern Chinese ceramics also has the aesthetic point of view of “imagery”. The Imagery of Chinese Painting and the Creation of Modern Ceramic Art in Artistic Conception