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《美术》杂志作为新中国美术事业发展的历史见证者,社会主义政治、经济、文化、社会建设各个历史时期的亲历者和党的文艺路线、社会主义核心价值体系的推导者,与几代中国美术家和广大读者同行已整整一个甲子。60年来,《美术》杂志坚持“二为”方向和“双百”方针,坚持科学运用马克思主义的立场、观点和方法,牢牢把握党和国家文化事业发展的主线,及时宣传、展示中国美术创作的新成果、新动态、新发展,活跃和深化美术理论研究,发现和扶携新
Art magazine, as the historical witness of the development of fine arts in new China, the witness of various historical periods in socialist politics, economy, culture and social construction, the party’s literary line and the derivation of the socialist core value system, Artists and the vast majority of readers have been a peer Koshien. In the past 60 years, Fine Art magazine has adhered to the principle of “two for” and “double hundred”, adhered to the scientific application of Marxist position, viewpoint and method, firmly grasped the main line of the development of the party’s and state’s cultural undertakings, and promptly publicized , Demonstrating the new achievements, new developments, new developments, active and deepening the study of fine arts theory in Chinese art creation, finding and supporting new