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还是小时候听到的一个故事,至今记忆犹新:一个懒惰的孩子,跟着仙人学成仙之道。经过数年苦熬,终于学成,当仙人率诸生跨过人间与仙境的界线时,那孩子却因贪睡,迟了一步,一条腿刚刚迈进仙境,时辰已到,另一条腿就永远留在凡俗之界了。眼看着同窗们扶摇而去,他却悬在半空,上不得,下不去,抱憾终生……我觉得今天的军事题材戏剧创作就很象那个孩子的处境。我们的国家,已经进入了一个崭新的时代,可是我们的军事题材戏剧还有大半个身子滞留在前一个时代里。为什么观众越来越少?为什么青年人从剧场门前讪笑而过?
Still heard a story as a child, still fresh memories: a lazy child, follow the fairy immortal way. After years of hardship, finally learned, when the immortal rate of Zhunsheng across the boundaries between human and fairyland, that child is because of snooze, one step behind, one leg just into Wonderland, the hour has come, the other leg will always stay In the world of mortal. Watched the students swept away, he was hanging in mid-air, not on, go on, regret for life ... ... I think today’s military drama drama is very much like that child’s situation. Our country has entered a brand new era, but more than half of our military-themed drama still remains in the previous era. Why fewer and fewer viewers? Why do young people laugh in front of the theater?