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如果以对同行的影响为标雄,梅尔维尔就是最伟大的导演。当黑色电影在1958年后逐渐从美国销声匿迹之后,让-皮埃尔·梅尔维尔在法国将这一血脉传承了下来。从他把自己的原名(格鲁巴赫)都改成了写就名著《白鲸》的作家赫尔曼·梅尔维尔的名字这件事,便不难看出他对美国文化的痴迷,更不用提他尤其喜爱在巴黎街头穿着美式的风衣,戴着宽边檐帽,开着凯迪拉克在大街上转悠,完全是一个美国佬的做派。40年化从美国大量涌入的黑色电影,自然成为梅尔维尔的心头好,他本人后来不但成为法式黑色电影的代言人,而且取得的艺术成就甚至超越了他从前模仿追随的那些前辈。
Melville is the greatest director if his influence on his peers is the mark. Jean-Pierre Melville inherited this vein in France after the black movie gradually disappeared from the United States after 1958. From the fact that he changed his original name (Grumbach) to the name of Herman Melville, the writer of the famous Beluga, it is not hard to see his obsession with American culture, not to mention In particular, he was fond of wearing American trench coats on the streets of Paris, wearing broad-brimmed hats, and driving a Cadillac onto the street, totally a Yankee. The 40-year-old black film, influx from the United States, naturally became the heart of Melville, who later became not only the spokesman of the French black film, but also achieved even more artistic accomplishments than those he had followed in the past.