中国第六代导演的成长追述

• 作 者: 赵沐沕
• 机 构: 四川大学锦城学院,
• 出 处: 明日风尚
• 发表日期: 2017年05期
• 关键词: 第六代导演 八十年代 电影作品 王小帅 美学思潮 艺术思想 贾樟柯 北京电影学院 政治经济体制 大众生活

第六代导演是以代系来界定的最后一代,也是在一个逐步开放的良好社会氛围中,丰富的继承和借鉴了大量国内外文学、美术、电影作品精髓的一代。他们多数生于六七十年代,成长于八十年代,艺术思想以及政治理念的成型也同样源自于八十年代。在他们的多数作品中,共同追思并反映着八十年代特有的生活。本文旨在追述第六代导演成长历程与八十年代文学美学思潮及大众生活。

The sixth generation of directors is the last generation defined by the generation system, and is also a generation inheriting and borrowing many literary, fine arts and film works abundantly from a gradually open and good social atmosphere. Most of them born in the sixties and seventies, grew up in the eighties, art ideas and political philosophy also shaped from the eighties. In most of their works, they are reminiscing and reflecting the peculiar life of the 1980s. The purpose of this article is to trace the growth history of the sixth generation directors and the aesthetics of literary aesthetics and popular life in the 1980s.