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上世纪末年,中国艺术研究院音乐研究所陈列室主任萧梅与同事清查馆藏时,翻出一箱十来床可溯至明清的古琴(其中一床疑似唐传百衲琴)。同时,馆藏中形形色色的不同品相数、弦数和不同性别(乾坤)、不同材料的“抱弹鲁特”令她印象深刻,当即萌发了召开鲁特琴专题研讨会的念头。然而,星转斗移,时过境迁,终未如愿。二十七年后的金秋,第二十四届国际传统音乐学会“丝绸之路上的抱弹类鲁特”专题研
At the end of the last century, Xiao Mei, director of the China Academy of Art Research Institute of Music and his colleague, checked out the collection of guqin, a box of ten guqin beds dating back to the Ming and Qing dynasties (one of which was suspected Tang dynasty Bai Qin). At the same time, she was deeply impressed by the variety of products, the number of chords and the gender (heaven and earth) of different kinds in the collections, and the “balang” of different materials. She immediately initiated the idea of convening a Lutheran seminar. However, the star transfer to fight, the passage of time, finally failed. Twenty-seven years after the autumn, the twenty-fourth session of the International Association of Traditional Music “Silk Road bullet-like Lute ”