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李嵩(1166-1243年),钱塘(今浙江杭州)人,南宋宫廷画家。据明朱谋垔《画史会要》记载,李嵩年少时曾经当过木工,后来被著名画家李从训收为养子,随其学习绘画,深得李从训真传。尤其擅长界画,于光宗、宁宗、理宗三朝时为画院待诏。曾作《服田图》十二段,描绘水稻从种植至收获的过程。又有《宋宫观潮图》,摹写钱塘江潮,颇为壮观。有扬眉庵为他题画。但李嵩最著名的画作,却并不是《宋宫观潮图》,而是《骷髅幻戏图》《货郎图》和《西湖图》。由于中国历史上一直重视文人画,所以对李嵩这样的画家一般评价不高。
Li Song (1166-1243), Qiantang (now Zhejiang Hangzhou), Southern Song court painter. It is said Zhu Mouliu “history of painting to be” records, Li Song years young once worked as carpentry, and later by the famous painter Li Congshun as adoptive son, with his study of painting, won Li from training. In particular, he is good at painting, Yu Guangzong, Ning Zong, Li Zong three dynasties for the academy to Chao. Formerly serving as the twelfth paragraph of the “service map”, it depicts the process of rice from planting to harvesting. Another “tide of view of the tide palace”, written Qiantang River tide, quite spectacular. There are Yang Mei Temple title for him. However, Li Song’s most famous paintings are not the “Tang Palace tide chart”, but “skull phantom chart” “shop map” and “West Lake map.” Due to the emphasis on literati painting in Chinese history, the general evaluation of painters such as Li Song is not high.