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本文以20世纪80年代《美术》杂志为研究对象,并从传播学的角度,将发生在此期间的“伤痕美术”和“乡土写实绘画”纳入到传播系统的时间坐标进行考察,以此研究这两类绘画是如何在历史语境中被代表着当时官方意志的《美术》杂志所传播和接受的事实,并借此来讨论“伤痕美术”和“乡土写实绘画”在产生和接受过程中的历史环境。
In this paper, the art magazine of 1980s is taken as the research object, and from the perspective of communication, the time coordinates of “Scar art ” and “local realistic painting In order to study how these two types of paintings were circulated and accepted in the historical context by the ”art“ magazine which represented the then official will, and to discuss ”Scar Art“ and ”Native Realistic Painting "In the production and acceptance of the historical environment.