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在在全球工业化、商业化的当下,脱胎于农业文化母体的中国书法在步入现代门槛之后,和其他各类艺术一样,一方面背负着传统的重负,同时要面对“现代”的盘问。书坛上那种“各领风骚三两天”的热闹景象令人头晕目眩。所有的喧哗中,汉字沉默着,因而汉字最深刻。钢笔、圆珠笔、键盘接踵而至,毛笔孤独着,因而毛笔最引入深思。
At the moment of global industrialization and commercialization, Chinese calligraphy, born out of the mother of agriculture and culture, has entered the modern threshold just like other kinds of art. On the one hand, it is burdened with traditional burdens and at the same time it faces “modern” interrogations. The kind of “allegiance to thirty or twenty days,” the lively scene is dizzy. In all the noises, the Chinese characters are silent, thus the most profound Chinese characters. Pens, ball-point pens, followed by the keyboard, the brush lonely, and therefore the most in-depth pondering brush.