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《书谱》全卷的书风并非一以贯之。自卷首至‘汉末伯英’的前半部分有平正与险绝两种书风交织呈现;而自‘约理瞻迹’至卷末的后半部分虽总体上表现出险绝奔放之书意,然其中亦时或显露出微妙的笔致差别及章法上的变化。有关于此,西川宁氏认为,后半部分经过了彻底的改写,而前半部分则只写了四处,亦即是说,平正的书风乃为初稿,险绝的书风则为再稿。《书谱》曾经按三纸四分而被改装成册页。本文基于这个事实及西川氏的论说而对改写问题做进一步的探讨。通过把改写部位与三纸四分的切割处做以比较,可以认为,孙过庭在改写了后半部之后,又按照三纸四分的比例将全卷切割为三十张纸、从而或者在分割后的一整张纸上,或者利用分割前后的切割处而进行了改写。在后半部分也可以鉴别出两处改写部分。改写与文章的内容密切关系,因此,本文又进而探寻改写部位与通篇文章构成上的对应关系。从分为六篇的《书谱》篇章结构看,前半部的改写部位都集中在第一篇的篇末及第二篇的篇末。后半部的两处改写,其一相当于第六篇全体,其一相当于结语部分。孙过庭《书谱》是一部未定的草稿,其下卷曾经数次改写,其上卷因时间之故只改写了一部分。卷末所言‘今撰为六篇,分成两卷’盖属于最终稿,而上卷自书‘书谱卷上’则是尚未来得及修改的旧稿的一部分。因此,‘分成两卷’与通篇未见‘卷下’的矛盾乃由于修改进度的差异而造成,它并不影响《书谱》分为两卷的事实。从改写部位已经可以证明《书谱》确是六篇以成全文,因此,现存《书谱》不是残本,而是独立成篇的全本。
“Book” full volume of the book style is not consistent. From the first volume to the end of the first half of the period, there are two kinds of styles: flatness and exquisiteness. However, However, it also reveals subtle differences in writing style and changes in the law. On this, Nishikawa Ningshi believes that the latter half has been completely rewritten, while the first half is only written around, that is to say, the blueprint for the draft is draft, risky style of the book is re-draft. The book was converted into albums by three quarters. This article based on this fact and Nishikawa’s argument to rewrite the issue to further explore. By comparing the rewritten area with the three-quarter cut, it is believed that after the rewriting of the second half, Sun Chaotian again cut the whole volume into thirty sheets according to the ratio of three paper quarters, or Entire sheet of paper after the division, or the use of segmentation before and after the cut was rewritten. In the latter part can also identify two rewritten parts. Rewriting and the content of the article is closely related, therefore, this article and then explore the rewritten parts and the corresponding articles on the composition of the correspondence. From the six chapters of the “book” chapter structure, the first half of the rewritten parts are concentrated in the first chapter of the end and the second chapter. The second half of the rewritten, one of the equivalent of the sixth chapter, one of which is equivalent to the conclusion part. Sun Chaotian “Book” is an undecided draft, the next volume has been rewritten several times, the volume because of the time it only rewrote part. At the end of the volume, ’Now this is six, Divide into two volumes’ is the final draft, and the scroll from the book ’The scroll of the book’ is part of an old draft that has not yet been revised. Therefore, the contradiction between “dividing into two volumes” and “not rolling down” has been caused by the difference in the progress of the revision. It does not affect the fact that “the book is divided into two volumes.” From the rewritten parts can already prove that the “book” is indeed six to complete the text, therefore, the existing “book” is not a residual book, but independent of the whole book.