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夏军的绘画追求的是“心游物外”“物我为一”的一种精神境界。为了达到这种神游的境界,画家并不局限于对形象的具体的某一个特定时间的再现,而是经过主观的提炼、概括与取舍,融合自己对自然物象的印象和感悟,对其作一种抒写性的形象塑造,精心经营画面形式来传达某种意境。根植于民族精神的最大特征是它内在所蕴含的文化精神,是一种与自然、宇宙相通相融的“天人合一”宇宙观,是中国人特有的东方文化精神,在作品中透现和凸显出中国人的文化观念和审美取向。
The pursuit of Xia Jun’s painting is a kind of spiritual realm in which “the heart is outside the game” and “the thing I am is”. In order to achieve this state of fugue, the painter is not limited to reproducing the image at a specific time, but through subjective refinement, summarization and selection, combining his own impressions and perceptions of natural objects, To describe the image of the shape, carefully manage the screen form to convey a certain mood. The most important feature rooted in the national spirit is the cultural spirit inherent in it. It is a kind of “harmony between man and nature” that is compatible with nature and the universe. It is a Chinese oriental cultural spirit unique to the Chinese people, Now and highlights the Chinese cultural values and aesthetic orientation.