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上海民生现代美术馆正在进行的“转向:2000后中国当代艺术趋势”展,围绕2000年作为节点,选取了52位/组艺术家的作品,试图呈现和探讨中国当代艺术2000年以来的新发展、新趋势。与上世纪80年代和90年代相比,2000年后中国当代艺术发生了很多重要的变化。全球化网络时代之下的技术突飞猛进、信息爆炸,促成了如今碎片化的生存方式,这也使得艺术家的创作和思考都需要被重新看待。《画刊》本期编选摘录了此次展览研讨会的发言内容,希翼从理论研究的视角,梳理2000后“转向”的价值和意义。
Shanghai Minsheng Art Museum is currently undergoing the “Turn: Post-2000 Chinese Contemporary Art Trends” exhibition, focusing on 2000 as a node, selected 52 artists / works of artists in an attempt to present and explore new Chinese contemporary art since 2000 Development, new trends. Compared with the 1980s and 1990s, many important changes have taken place in Chinese contemporary art after 2000. The rapid development of technology under the age of globalized networks and the explosion of information have contributed to the fragmented way of life nowadays, which also requires the creation and reflections of artists to be reconsidered. In the current issue of the magazine, the contents of the speech at the symposium of this exhibition are excerpted from the perspective of theoretical studies, and the value and significance of “turning to” after 2000 are clarified.