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丁敏在走过他自己称为迷茫的寻找期后,从近期参展和获奖的作品轨迹中看,仿佛心静气顺,挣脱了束缚,能借笔墨自由书写天地之物,初具气象。从他画面色彩上看,已逐渐从以往喜好用高纯度色彩并置,呈现视觉力量的粗放,过渡到在含蓄而雅致的色调中注重理性精神的传递。在造型上,也由以往的具象蜕变为今日的意象,更加注重内心的写实,并逐渐向抽象表现主义发展。
After walking through what he himself called a confused search period, Ding Min looked from the recent works of exhibition and award-winning works as if she was calm and free from shackles. From the color point of his picture, he has gradually juxtaposed high-purity colors with his usual preference for the visual power of the extensive, transition to the subtle and elegant tone in the rational spirit of the transmission. In the modeling, but also from the image of the past transformed into today’s image, pay more attention to the inner realism, and gradually to the development of abstract expressionism.