论文部分内容阅读
声诗在唐代,主要是指以五七言入乐这样一种特殊文体,一般意义上是将其作为词曲发生的前夜。然而,声诗在经历了宋词元曲的成熟发展后,作为一个重要的概念在明代重新被提出,这并不是一种偶然的现象,而是有其不同的学术内涵和特定的学术背景。朝廷从礼乐制度上强化了声诗的概念,同时,明代诗人对声诗赋予了不同的意义,特别强调诗歌的声
In the Tang Dynasty, the poem of sound mainly refers to such a special style of music that incorporates music into five or seven words. In the general sense, it is taken as the eve of songwriting. However, after experiencing the maturity and development of Song Lyrics, it is not an accidental phenomenon but an important academic connotation and specific academic background as an important concept which was re-introduced in the Ming Dynasty. The court strengthened the concept of sound poetry from the ritual music system. At the same time, the poets in Ming Dynasty gave different meaning to the sound poetry, with particular emphasis on the voice of poetry