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二十世纪七八十年代,空间理论的转向成为学术思想界备受关注的热点。1974年,法国哲学家列斐伏尔以及法国思想家福柯成为空间理论研究的先行人,他们关于空间理论的创造性的观点,使其成为空间理论的奠基人。随后,一大批的空间理论不断推陈出新,这些理论为学术界运用空间理论探讨学术问题提供了一个新的视角。菲利普·罗斯作为新一批犹太作家中的代表,其作品《人性的污点》沿袭了传统犹太作家对家园追寻情节的关注,更超越了种族的视角束缚,从现代性的角度,塑造了一个作为现代社会人的犹太人——科尔曼。科尔曼终其一生想要在美国社会找到一片栖息之地,却不仅饱受犹太身份的困扰,更遭遇了每个现代人在现代社会都会遇到的精神苦楚。从空间视角来看《人性的污点》中科尔曼的家园追寻情结,可以更加完整地展现犹太人在现代社会的生存困境。
In the seventies and eighties of the twentieth century, the turning of the theory of space became a hot spot of great concern in academic circles. In 1974, the French philosopher Lefebvreur and the French thinker Foucault became pioneers in the study of space theory. Their creative perspective on space theory made it the founder of space theory. Subsequently, a large number of spatial theories are constantly being introduced. These theories provide a new perspective for academics to apply the theory of space to discuss academic issues. As a representative of a new batch of Jewish writers, Phillip Rose, whose work “The Stain of Humanity” follows the concern of traditional Jewish writers in the pursuit of their home plots, goes beyond the bounds of race and from the perspective of modernity, Jews of modern society - Coleman. Coleman wanted to find a habitat in American society all his life, but not only suffer from the Jewish identity, but also suffered every modern man in the modern society will encounter mental pain. From the perspective of space, Coleman’s homeland pursuit of complex in Human Taste can show the Jews’ predicament in modern society more completely.